Thank you for your wonderful contribution to LIVING IT. Once again I was very impressed by your calm, collaborative approach and your excellent camerawork. I know Paul (Paul Murphy, director) considers you one of the best lighting cameramen he’s ever worked with and really appreciated all your creative input on his episodes; this truly paid off on screen - the episodes are all looking fantastic!

MAY GIBSON (Producer) - BBC

This is a sincere thank you for your wonderful lighting on NEVERWHERE, it really enhanced the show. Thank you, big respect and here’s to the next time.

LENNY HENRY - Crucial Films / BBC

A huge thank you for all your fantastic work on NORTH SQUARE. I am delighted with the way the show looks and I was so grateful for the way you stepped into the middle of the shoot so calmly, quietly and effectively and managed to smooth the transition with real tact and aplomb. I hope you enjoyed the process - it certainly was a pleasure working with you Steve - at last!

ALISON DAVIS (Producer) - Company Television / Channel 4

This seems an appropriate point to write and thank you personally for all your hard work on PLAYING THE FIELD. It was much appreciated. Everyone comments on how good this series looks - you managed to light it in a way that gives real texture and depth, and all on budget and schedule!

HUGH WARREN (Producer) - Tiger Aspect / BBC

I would like to put on record how delighted I am with Steve Saunderson’s camerawork on the COUNTRY FILE Ugbrooke shoot. Under the most difficult of conditions he turned in some of the most stunning material I’ve had the privilege to direct. The pictures, in terms of composition, creative approach and technical excellence etc. were of the highest order and when one takes into account that they were all shot “on the hoof” they are all the more remarkable.